THE ETERNAL unleash first video single “It All Ends” from new EP “Celestial”

December 12, 2025

Australian-Finnish dark progressive gothic metal collective THE ETERNAL have announced their upcoming EP Celestial, set for release on January 16, 2026 via Reigning Phoenix Music, and have dropped the first video single, "It All Ends".

Pre-save / pre-order the EP, available on all major digital platforms and as an extremely limited-edition eco-friendly recycled vinyl:https://theeternal.rpm.link/celestialPR

"It All Ends" marks the first preview of Celestial and sets the tone with a powerful mix of haunting atmosphere, melancholic weight, and progressive finesse. The track unfolds slowly and deliberately, pulling the listener into its storm of brooding riffs, somber melodies, and an emotional vocal performance that feels both intimate and colossal. The song’s dynamics build toward a towering, epic finale that showcases the band’s cinematic approach to heavy music.

Stream/Download the single: https://theeternal.rpm.link/itallendsPR

Watch the video clip Below;

Lyrically, "It All Ends" cuts deep. Vocalist and guitarist Mark Kelson, who also designed & edited the video, explains:

"The lyrics of “It All Ends” convey a stark meditation on betrayal, disillusionment, and the collapse of trust. Through the recurring imagery of “empty words” and “broken shards,” the song captures the futility of promises that have lost their meaning and the devastation left in their wake. The repetition of the phrase “it all ends” underscores the inevitability and finality of this unraveling, while the storm imagery reflects the emotional turbulence beneath the surface. At its core, the song portrays the painful recognition that fractured communication and faithlessness lead to irreversible endings, leaving behind a lingering sense of loss that feels both suffocating and inescapable."

With Mark Kelson (vocals/guitars) and Richie Poate (guitars) in Melbourne, joined by Jan Rechberger (drums, Amorphis) and Niclas Etelävuori (bass, ex‑Amorphis/Flat Earth) in Helsinki, THE ETERNAL are proving themselves a genuinely international collaboration and with the forthcoming EP, fans and first-time listeners alike get a first taste of the band’s signature intensity and powerful new material.

THE ETERNAL is:
Mark Kelson / Guitar & Vocals
Richie Poate / Guitar
Niclas Etelävuori / Bass
Jan Rechberger / Drums & Percussion

More on THE ETERNAL:
Facebook | https://www.facebook.com/TheEternal
Instagram | https://www.instagram.com/theeternalofficial/
X | https://www.twitter.com/theeternalband
TikTok | https://www.tiktok.com/@theeternalofficial
YouTube | https://www.youtube.com/channel/UC4vJAnrZbwUesT_FlY03mdw

BAT - ANNOUNCE SPRING 2026 US TOUR WITH VOIVOD

December 12, 2025

Richmond, Virginia's metal-punk trio, BAT, is thrilled to announce a spring U.S. tour alongside Canadian progressive sci-fi metal pioneers, VOIVOD. The eight-date trek begins in at Hell's Heroes VIII in Houston on March 20th and concludes in Tulsa on March 27th. Fans can join BAT for an official afterparty immediately following the final show at 2 Minutes To Tulsa at The Whittier Bar.

Tickets for the tour went on sale today Friday, December 12th at 1pm local time via the below links.

BAT - US SPRING 2026
03.20.26 Houston, TX @ White Oak Music Hall (Hell's Heroes)
03.21.26 Little Rock, AR @ The Rev Room
03.22.26 St. Louis, MO @ Red Flag
03.23.26 Columbus, OH @ The King of Clubs
03.24.26 Chicago, IL @ Reggie's
03.25.26 Madison, WI @ Crucible
03.26.26 Kansas City, MO @ recordBar
03.27.26 Tulsa, OK @ The Vanguard

Order / stream BAT's latest studio album Under The Crooked Claw now at:
https://bat.bfan.link/utcclp

ABOUT BAT:

The power trio, including Ryan Waste, Nick Poulos, and Chris Marshall, decamped to Philadelphia in June 2021 where Arthur Rizk recorded the basic tracks for Under The Crooked Claw. Yavé Rust tracked lead guitars and vocals later when the band was back in Richmond, ultimately to be mixed by Rizk and mastered by Joel Grind. The artwork for the album was inked by Brandon Holt and colored by Margaret Rolicki.

Jam-packed with tight, concise songs loaded with punchy choruses and lightning-laced leads, each of the 13 tracks offers a new horror short story mixing the perfect blend of heavy metal, punk, and rock ‘n’ roll or as Waste coins it "primitive heavy speed".

BAT is:
Ryan Waste | Bass & Vocals
Nick Poulos | Guitar
Chris Marshall | Drums

Charlie Nieland's 'Stories From the Borderlines' is the Year's Most Unsettlingly Glamorous Album - a darkly essential NYC rock statement

December 12, 2025

Renowned NYC songwriter-producer Charlie Nieland presents 'Stories From The Borderlines', a dazzling and deeply personal album that explores themes of connection and severance. This is one of the most profound albums from Nieland, known of his work producing and writing for such artists as Debbie Harry, Rufus Wainwright, Blondie and Scissor Sisters.

More than music, the meticulously crafted songs on this album—a geography of intention—are an act of imaginative resistance, passionately mining for light and truth in a darkening world. Shaped by a reverence for pioneering '80s and '90s synth and guitar-driven music, these cinematic soundscapes and poignant songs involve drummer Billy Loose, Staten Island rapper spiritchild, guitarist Dan McAssey and Joe McGinty(The Psychedelic Furs, Ryan Adams, Nada Surf, The Loser's Lounge).

"This set of songs is a kaleidoscope of styles. They are luminous secret rooms that reflect one human’s heart in a world at the precipice. Staying creative is resistance. As authoritarians attack culture, they make the mistake that imagination can be controlled when it actually emerges from the bottom up. Culture is not imaginary. It’s is rooted in imagination but it’s more real than what can be measured," says Charlie Nieland.

"These songs tell stories of growing up, of how we got severed, and how we connect. I burrowed into each idea over several years that were filled with love, uncertainty and family drama. The time allowed me to create and explore sound worlds with a cinematic eye; finding contrasts in texture and time. To create an experience that shifts with each listen. These songs are a geography of intention and intuition, mining for light in a dark world. Let’s find the switch."

Nieland also presents 'Shame' with a firecracker video, directed and edited by multi-faceted NYC-based artist Hypnodoll, and filmed by Alice Teeple. Fueled by the obsessive lust and repulsion that has been weaponized against the queer community, this song explores how fascination runs like blood from all sides, our own self-loathing driving us into the unknown.

Previewed the epic lead track 'Win' feat. spiritchild and 'The Ocean Understands' EP, this new album presents a visceral blend of post punk, glam, dream pop and progressive rock. With sweeping melodies and restless rhythms, these unique soundscapes deliver an immersive journey, showcasing Nieland's continued evolution as an artist and producer.

Nieland's backstory is extensive, having written, performed and produced music for decades. He was awarded a Gold record (UK) for his production work on Blondie's 'Greatest Hits Sight & Sound' and achieved a Top 10 Billboard Dance Chart Position with Debbie Harry's single 'Two Times Blue', which he co-wrote and produced. Hehas scored the feature film 'The Safety of Objects' (with Glenn Close), Showtime's pilot episode of 'The L Word' and the VH-1documentary 'NY77: The Coolest Year in Hell'.

An artist rich on nuanced songwriting and sonic exploration, he released the album 'Ice Age' (2014), followed by 'Hopeful Monsters' (2016) and ‘Divisions' (2021). After 20 years with Her Vanished Grace, he is half of the literature-inspired duo Lusterlit with Susan Hwang, and both produces and co-hosts the podcast 'An Embarrassment of Prog'.

'Stories From The Borderlines' is out now, available everywhere, including Apple Music, Spotify and Bandcamp. Nieland returns in January with his next audio-visual offering.

CREDITS
All songs written by Charlie Nieland, except 'Win' (by Charlie Nieland & spiritchild   )
Charlie Nieland - vocals, 6 and 12 string electric and acoustic and e-bow guitars, lap steel guitar, fretted and fretless electric basses, upright piano, Fender Rhodes electric piano, Korg MS20 analog synth, virtual Mellotrons and string machines, autoharp, glockenspiel, percussion
Billy Loose - drums 
Dan McAssey - guitar on 'Brutalist Monuments' & 'You Fell Down'
spiritchild - Vocals on 'Win'
 Joe McGinty - keyboards on 'Today'
Recorded at home and at Saturation Point Studios in Brooklyn, NY
Produced, recorded, mixed & mastered by Charlie Nieland
© 2025 Athame Music, xspiritmentaleyez Music (Win)
Album cover art by Hypnodoll™  
Videos for 'Redshift' and 'Drown' by Hypnodoll™
Video for 'Shame' by Hypnodoll™ and Alice Teeple
Artist photos by Alice Teeple and Bob Krasner
Publicity by Shameless Promotion PR

Singer/Songwriter Leah Blevins Warns "Be Careful Throwing Stones" on New Track

December 11, 2025

On the heels of releasing her first taste of new music with “All Dressed Up,” the title track from her Dan Auerbach-produced album, singer/songwriter Leah Blevins releases her powerful new single “Be Careful Throwing Stones” today.

Written with Auerbach and Daniel Tashian (Kacey Musgraves, Leon Bridges), “Be Careful Throwing Stones” continues to showcase Blevins’ piercing vocal clarity, storytelling and unflinching emotional honesty with a dash of ‘70s retro glamour and sheen.

The new track follows the recent release of “All Dressed Up,” named a “hot new track” by Barnburner, and marks the latest glimpse into the sonic landscape of her upcoming album. A timeless blend of Southern rock earthiness and pop-country shimmer, anchored by a twangy Karen Carpenter-esque vocal purity, listen to “Be Careful Throwing Stones” HERE.

Pre-save All Dressed Up, set for release March 20, 2026, HERE.

In addition to the song’s release, the official music video for “Be Careful Throwing Stones” premiered today exclusively with Holler, offering fans a visual interpretation of the track. Watch the video below;

“This song is about protecting the softest parts of yourself,” says Blevins. “Dan, Daniel and I were writing from that place where hope meets caution. It’s a reminder to move gently through love – with others and with yourself.”

“Be Careful Throwing Stones” expands on the fresh yet nostalgic sound Blevins introduced with “All Dressed Up,”pairing emotional intelligence and heartache with quiet strength. Raised on the bluegrass-stained Kentucky country of Loretta Lynn, Patty Loveless, Dwight Yoakam and fellow Sandy Hook native Keith Whitley, Blevins continues a lineage of storytellers who understand the power of plainspoken truth.

“There are all kinds of emotions in this world,” Blevins says. “The best songs hold a few of them at once. Dan gets that. He knows how to let a feeling stretch out and take up space.”

“Be Careful Throwing Stones” also continues Blevins’ penchant for crafting songs and visuals that feel outside of time. Her work echoes the greats of the ‘60s and ‘90s while standing firmly in the present, resulting in a sound that will resonate just as deeply 30 years from now.

“Be Careful Throwing Stones” and the official video are available everywhere today.

For the latest news and updates follow along on Instagram, TikTok and Facebook and online at leahblevinsmusic.com.

Kenny Takes HEART LIFE MUSIC to Springsteen Archives

December 11, 2025

When Bruce Springsteen Archives & Center for American Music Director of Curatorial Affairs and Director of Public History Melissa Ziobro posted a congratulatory note about Kenny Chesney’s Heart Life Music debuting at No. 1 on the New York Times’ Hardcover Nonfiction and Combined Print and E-Book Nonfiction best sellers lists, she shot her shot, closing her blog post with an invitation cast into the vast unknown for Chesney to be part of the Springsteen Center’s author-driven podcast.

Be careful what you wish for – or Santa might come a little early. Word of the post made it back to the East Tennessee songwriter/superstar, who was scheduled to be in New York for his first appearance on Howard Stern’s wildly popular SiriusXM show. Chesney reasoned, “With as much as Bruce Springsteen runs throughout the story of my life – something I didn’t actually realize until I sat down and began work on Heart Life Music – this request from out of nowhere seemed like something I needed to do.”

And so, the morning after two hours on Howard Stern and a New York City book event at the Kaufman Music Center, Chesney and his book tour team headed to Monmouth University, minutes from the Jersey Shore, to tape a special edition of their “Conversations with Our Curator” series. With the actual Center in the final stages of construction for their late spring 2026 opening, the recent Country Music Hall of Fame inductee combined the book talk with touring the facility even before it was ready for installations.

Chesney’s interview was filmed in a residence on the West Long Branch campus. His interview with Ziobro was far-reaching: considering his life’s path, unlikely influences, the passion of rock, the overlap beyond genres and, yes, interactions with Springsteen. As he said, “Talking to someone who comes at it from her perspective – Melissa’s a history professor and someone who thinks in curatorial terms – it’s a very different way to approach all this. But her energy is so present, she really draws you into the conversation. She cares about these stories, but she cares for several kinds of reasons, making it an interesting process that made me really think about what I was saying in bigger ways.

“But it also proves, once again, business people like labels, actual people just love music.”

Already named one of Barnes & Noble’s Best Biographies & Memoirs of 2025, Chesney has spent four weeks on both New York Times Best Sellers lists – and seen social media support from far-flung readers including Ziggy Marley, surfer Kelly Slater, Cindy Crawford, Carrot Top, tennis legend Bjorn Borg and fellow New York Times best seller author Cameron Crowe.

“Talking to Melissa about Bruce brought home his generosity in my life in an even deeper way. That’s part of why I wanted to do this interview: to honor the wisdom, friendship and especially inspiration he’s given me as a young man playing for tips, showing me what it means to give away every cell of yourself on that stage, and providing great advice when it was most needed along the way.”

The wild, the innocent and the curious can watch the interview in its entirety and read Ziobro’s blog at https://springsteenarchives.org/. Opening in 2026, the curatorial team is already compiling an outstanding collection of work to reflect how American music documents so much of the moments across time.

The Bruce Springsteen Archives & Center for American Music preserves the legacy of Bruce Springsteen and celebrates the history of American music and its diversity of artists and genres. Our mission is two-fold. The Springsteen Archives serves as the official repository for materials related to Springsteen and the E Street Band, including photographs, historic memorabilia, oral histories, and more. The Center for American Music explores American music more broadly. We accomplish this by producing exhibitions, concerts, and educational programming that explores and honors the cultural impact of American music past, present, and future. For further information, please visit www.springsteenarchives.org.

UADA + MORTIIS Announce North American Co-Headliner for 'Devoid of Light' and 'Smell of Rain' Anniversaries

December 11, 2025

Enigmatic black metal horde UADA and industrial metal artist MORTIIS have teamed up for a very special co-headliner, featuring exclusive anniversary sets and supporting performances by Jerome Reuter’s ROME and WRAITH KNIGHT. UADA will be performing their seminal 2016 debut album 'Devoid of Light' in its entirety + a special CERMONIAL CASTINGS 30-year anniversary set featuring Wraith Knight. In addition, MORTIIS shall be performing songs from his groundbreaking 2001 full-length, 'The Smell Of Rain,' along with other volumes of dystopian despair.

The artist pre-sale starts today, December 11, at 2:00 P.M. local time using the code 'COLDMOON'. General on-sale will be Friday, December 12, at 10:00 A.M. local time. Tickets can be found HERE.

UADA comments, "It has been a profound honor to play a central role in assembling this distinctive and richly diverse touring package. The line-up carries deep personal history and influence for me, while also embodying some of the most cherished milestones of my own musical journey.

"As someone who has always appreciated the artistry of thoughtfully mixed bills—an approach that feels increasingly rare in today’s landscape—this particular combination is especially meaningful and should deliver a strikingly unique, yet cohesive experience for those in attendance.

"Above all, this tour is my gift to the fans: an opportunity to witness a moment that may never come again, to discover extraordinary talents they might not yet know, and to share an evening that I sincerely hope will live on as an unforgettable memory."

MORTIIS adds, "While creating and uncreating, sometimes composing, and occasionally violently invoking, the music and sounds that are set to be my new album, it is growing increasingly apparent to me, that I am occasionally calling upon some old ghosts of the past.

I can hear (sometimes clearly, other times faintly) some musical echoes from The 'Smell Of Rain' days, not to mention new sounds of the blurry, faint, but unmistakably strange, future, that is yet to unfold.

"It seems natural to me, to now unearth several of the songs from 'The Smell Of Rain' (and other music, of similar dispirit!) as a first step into the bleak dystopian dreamscapes Mortiis appears to be heading into from here on out.

"So here I am, clawing through a quarter century old recordings, preparing for 2026."

The full itinerary is as follows:

THE WITCHES OF DYSTOPIA TOUR MMXXVI

(UADA + MORTIIS w/ Jerome Reuter’s ROME + WRAITH KNIGHT):

04/10/26: Portland, OR @ Dante's

04/11/26: Vancouver, BC @ Rickshaw

04/13/26: Calgary, AB @ Dickens

04/14/26: Edmonton, AB @ Starlite

04/16/26: Winnipeg, MB @ Sidestage

04/17/26: Minneapolis, MN @ Skyway at Studio B

04/18/26: Madison, WI @ Annex

04/19/26: Chicago, IL @ Reggies

04/20/26: Detroit, MI @ Sanctuary

04/21/26: Indianapolis, IN @ Black Circle

04/22/26: Covington, KY @ Madison Live

04/23/26: Pittsburgh, PA @ Preserving Underground

04/24/26: Toronto, ON @ Lee's Palace

04/25/26: Montreal, QC @ Cafe Campus

04/26/26: Quebec City, QC @ La Source

04/27/26: Boston, MA @ Brighton Music Hall

04/28/26: Brooklyn, NY @ Meadows

04/29/26: Bensalem, PA @ Broken Goblet

04/30/26: Baltimore, MD @ Metro

05/01/26: Raleigh, NC @ Chapel Of Bones

05/02/26: Atlanta, GA @ 529 EAV

05/03/26: Orlando, FL @ Conduit

05/05/26: Houston, TX @ Warehouse Live

05/06/26: Austin, TX @ Come And Take It Live

05/07/26: Dallas, TX @ Club Dada

05/08/26: Albuquerque, NM @ Launchpad

05/09/26: Denver, CO @ HQ

05/10/26: Salt Lake City, UT @ Urban Lounge

05/11/26: Las Vegas, NV @ Swan Dive

05/12/26: San Diego, CA @ Brick By Brick

05/13/26: Los Angeles, CA @ The Echo

05/14/26: San Jose, CA @ The Ritz

05/15/26: Eugene, OR @ John Henry's

05/16/26: Seattle, WA @ El Corazon

Ever since the cloaked Pacific Northwest band appeared on the music radar, UADA has always been electrified by both polar worlds. Their echelon was stark and meaningful. Within the stretch of three albums as well as dense and triumphant live shows across the globe, they have not only spiked the map of extreme metal music but their unrelenting touring schedule and unbridled will to push forward into new horizons has also earned them a reception in all the extremes imaginable, be it worship or spite.

UADA Links:

Mortiis is a pioneering dark ambient and industrial metal artist, widely credited as the founder of the dungeon synth genre, whose work spans from haunting atmospheric soundscapes to abrasive, genre-defying electronic metal. With a legacy stretching over three decades, he remains one of the most influential and enigmatic figures in underground dark music

MORTIIS Links:

DERAPS ANNOUNCE FIRST-EVER U.S. TOUR THE EXPLOSIVE “VIVA ROCK N’ ROLL” TOUR IGNITES ON FEBRUARY 2026

December 11, 2025

America, brace yourselves. Deraps—Canada’s blistering new hard-rock powerhouse—are storming the United States for the first time ever, bringing their high-voltage, late-’70s-inspired sound to American stages in February 2026.

Led by prodigy Jacob Deraps—the Quebec-born, EVH-sponsored guitar phenomenon whose jaw-dropping Van Halen covers lit up YouTube and earned praise from The Official Van Halen News Desk—Deraps are redefining what modern classic rock can be: fierce, melodic, virtuoso-level, and full-throttle fun.

After signing with Metalville Records and inking a publishing deal with Anthem Entertainment (home of Rush), Jacob Deraps and Aussie co-writer Josh Gallagher launched their self-titled debut in 2022 to global acclaim, earning raves from Classic Rock Magazine (UK), Burrn! (Japan), Screamer Magazine (USA) and more. Fans crowned them “Best New Band of 2022” in Burrn! Magazine, while Classic Rock spotlighted their single “My Side of Town” in its prestigious Ultimate Playlist of 2022.

From opening for Tom Cochrane, Ann Wilson, Loverboy, and Foreigner, to electrifying crowds at the Stonedead Festival (UK) supporting Blue Öyster Cult, Deraps have already proven they belong on the biggest stages on Earth.

And now, after Deraps wrote, produced, recorded, and mixed the band’s explosive second album Viva Rock N’ Roll—released May 23, 2025 to glowing worldwide reviews and a surprise #1 rock sales debut in Japan—the band is finally answering American fans’ calls.

This is the moment. This is the tour.

CONFIRMED U.S. TOUR DATES — “VIVA ROCK N’ ROLL” (LEG I)
W 2/4 — Pawling, NY — Darryl’s House
F 2/6 — NYC, NY — The Iridium
S 2/7 — West Yarmouth, MA — The Music Room
M 2/9 — Pittsburgh, PA — Craft House
W 2/11 — Sellersville, PA — Sellersville Theater
Th 2/12 — Lakewood, OH — The Winchester Music Hall
F 2/13 — Detroit, MI — Token Lounge
S 2/14 — Chicago, IL — Reggie’s
W 2/18 — Milwaukee, WI — Shank Hall
F 2/20 — Wisconsin Dells, WI — Legacy Theater
S 2/21 — Sioux Falls, SD — Biggs Bar and Grill
W 2/25 — Great Falls, MT — The Newbury Theater
F 2/27 — Seattle, WA — The Funhouse at El Corazon

…with many more dates to be announced!

THE BOTTOM LINE

If you’re a guitar fan, a rock fanatic, a lover of killer riffs, or just someone who needs to feel the floor shake again—this is the tour you’ve been waiting for.
Deraps are coming in loud, fast, and ready to blow the roof off every room they hit.

Viva Rock N’ Roll. America… it’s your turn!

Socials:
Website
Youtube
Facebook
Instagram
TikTok

ATOLL Announces 2026 "Swamp Survivors" Tour

December 11, 2025

Arizona’s own slamming death metal juggernaut ATOLL are proud to announce the “Swamp Survivors” 2026 Tour, a week-long run of brutal, high-octane shows tearing across the American South beginning January 30, 2026. Supported by a cast of equally savage acts, TRUCKSTOP DICKPILL and SQUELCHING, “Swamp Survivors” promises a visceral, sweat-drenched live experience steeped in ATOLL’s signature blend of groove, slam, and technical ferocity.

Emerging from the scorched desert wasteland of Phoenix in 2014, ATOLL has spent nearly a decade carving out a unique sonic identity. Their sound fuses percussive, groove-laden slamming brutal death metal with classic death metal riffcraft, while injecting flashes of core, funk, and thrash for maximum unpredictability. Known for their punishing live shows and festival appearances, ATOLL has shared the stage with heavyweights such as SKINLESS, GORGASM, INGESTED, and ABORTED, solidifying their status as a staple of the modern extreme metal circuit.

"Swamp Survivors" 2026 Tour Dates:

01/30 New Orleans, LA Check Point Charlie
01/31 Pensacola, FL Betty's
02/01 Tampa, FL The Brass Mug
02/03 Lake Worth, FL Propaganda
02/04 Winter Park, FL Conduit
02/05 Warner Robins, GA Reverb Room
02/06 Atlanta, GA Bodgs Social & Supply
02/07 Nashville, TN Cobra Bar

About ATOLL:

Formed in 2014 in Phoenix, Arizona, ATOLL has evolved into a relentless force in extreme metal, blending brutal death metal with influences from groove, slam, grind and hardcore. Over the past decade, they’ve built a reputation for their blistering live performances and innovative approach to the genre, sharing stages with giants like Skinless, Gorgasm, and Aborted.

Their discography, including standout releases like Prepuce and Human Extract, showcases their fearless experimentation, and with their latest album Inhuman Implants, ATOLL has reached new heights, further solidifying their place as pioneers within the extreme metal scene. Now augmented by new drummer Max Stark, the band is set to push the boundaries of aggression with ferocious riffs and slams, continuing to inspire and captivate listeners worldwide.

ATOLL is:

Wade Taylor – Vocals
Cameron Broomfield – Bass
Spencer Ferguson – Guitar
Matt Markle – Guitar
Max Stark – Drums

Connect with ATOLL:

Facebook: https://www.facebook.com/atollofficial
Instagram: https://www.instagram.com/atoll_band/
TikTok: https://www.tiktok.com/@atoll_band
Spotify: https://open.spotify.com/artist/5P0SKq2cF2Nk6r2lUbsHbm?si=Vbxol-fYTQmR2epwnByhkg
Apple Music: https://music.apple.com/us/artist/atoll/253082638
Bandcamp: https://atoll602.bandcamp.com/music
Twitter/X: https://www.x.com/Atoll_band
YouTube: https://www.youtube.com/@UniqueLeaderRecords
E-Shop: https://www.indiemerchstore.com/collections/atoll
Bandsintown: https://www.bandsintown.com/a/124839-atoll

Benighted Unveil Freaky New Drummer on "The Spineless Freak"

December 11, 2025

Fresh from their latest full-length of psychological torment, Benighted are bringing a ripping new force into the band’s twisted folds. New single, “The Spineless Freak”, marks the official debut of the band’s new drummer Matthias Biechler with all his destructive force.

“The whole story is pretty incredible,” explains Benighted’s vocalist Julien Truchan. “As we were casting other drummers, I got a message from my friend Eugene of Fleshgod Apocalypse who told me he had a student in Paris who learns incredibly fast and that I should contact him. Matthias came for the casting last July and he just amazed us by playing our fastest songs impeccably. He is only 22, has played drums for four years and we're officially his very first band as a drummer! I can't even imagine his level in two or three years. He is at the same time a machine and the nicest guy you can find. We're so happy to welcome him in the band!”

Watch Benighted’s new drummer show off his freakish speed and skill in the official drum playthrough for the band’s new single “The Spineless Freak”, Below;

Stream

https://benighted.fanlink.tv/TheSpinlessFreak

While he also plays bass, Matthias Biechler spent the last four years studying drums under the mentorship of Fleshgod Apocalypse drummer Eugene Ryabchenko. Matthias’ first-ever performance as a drummer took place live onstage while behind the kit for Benighted. The freakish phenom ripped through the band’s blistering songs with a sense of ease that stunned the audience and his new bandmates.

“[…] it’s an honor for me to join Benighted behind the drums”, Matthias says. “This very band gave me the motivation five years ago to push myself and truly work hard on the drums, so joining them today as my first band as a drummer is beyond anything I ever imagined. I’ll give everything I have to live up to the band’s name and unleash all the violence you love so much. Thank you for welcoming me and your support. I can’t wait to share this journey with all of you!”

Lineup:
Julien Truchan - Vocals
Emmanuel Dalle - Guitars
Pierre Arnoux - Bass
Matthias Biechler - Drums

Recording Studio:
Kohlekeller Studios, Germany (Powerwolf, Aborted, Crematory)

Producer, Sound, Mixing & Mastering Engineer:
Kristian Kohlmannslehner

Booking Contact:
France: Rage Tour - philippe@ragetour.com
Worldwide: Redback Promotion - ronny@redback-promotion.com

Follow Benighted:
Official Website: https://www.benighted.fr/
Facebook: https://www.facebook.com/brutalbenighted
Instagram: https://www.instagram.com/benighted_band/
Bandcamp: https://benighted.bandcamp.com/music
SoundCloud: https://soundcloud.com/brutalbenighted
TikTok: https://www.tiktok.com/@benighted_band
Twitter: https://twitter.com/@_BENIGHTED
Spotify: https://open.spotify.com/artist/0dUwIwaPc6UukkCZTaaf7J
Apple Music: https://music.apple.com/artist/benighted/267088245
Tidal: https://tidal.com/browse/artist/3919180

EPICA - unveil new single 'Avatar - The Final Incarnation - ' in support of their upcoming European Tour

December 11, 2025

Symphonic metal titans EPICA proudly release their explosive new single 'Avatar – The Final Incarnation – ', a track that deals with the final incarnation (Avatar) to rid the world of unrighteousness and restore truth and purity. The single is accompanied by a stunning visualizer featuring artwork taken directly from the band’s forthcoming EPICA Oracle Card Set, launching worldwide on January 7th.

Stream the song of 'Avatar – The Final Incarnation – ' (created by Dave Letelier), here: https://epica.bfan.link/avatar-the-final-incarnation

Watch the video Below;

Mark Jansen shares insight into the inspiration behind the track:
“In Hindu philosophy, Kalki represents the final avatar who restores balance at the end of the age. That idea of breaking free from cycles—through self-realization, detachment from desires, and inner transformation—resonates deeply with me. ‘Avatar’ channels that journey toward liberation, something both powerful and universal.”

Simone Simons adds:
“We absolutely can’t wait to kick off the European tour. Sharing the stage with our incredible fans night after night is the heartbeat of what we do, and this new song will definitely warm you up for the journey we’re about to take together.”

From January till March, EPICA will embark on 'The Arcane Dimensions' European Tour with Amaranthe and Charlotte Wessels’ The Obsession, that brings three of the genre’s most dynamic forces together for an unforgettable live experience. See the full list of dates below and grab your tickets now!

But more is more: On January 7th, the band will release the 'Aspiral Oracle', a beautifully crafted deluxe boxset containing a 12 card oracle deck (one card per song title and one extra artist card called ‘The Map’), a handbook with an in-depth rulesheet and a stunning incense holder, all designed and sculpted by Hedi Xandt who previously created the artwork for Aspiral. This boxset is a true must have that will give you deeper insights into the meaning of all the Aspiral songs, but can also serve as a tool that can give you guidance in your personal journey.

Pre-order it here: https://geni.us/EpicaOracle

About EPICA:

The journey of growth follows a spiral, continuously widening and deepening with every cycle.

By sticking to this spiritual principle, symphonic metal innovators EPICA have reinvented themselves on their ninth effort Aspiral, releasing a studio album that shows a band brimming with a newfound joy in their own skin – standing united as a team, where every band member brought inspiration, ideas and years of songwriting experience to the table.

Aspiral bears testimony to this unity, but the band’s steep ascent within the past years was far from coincidental and required lots of hard work and combination of things happening after the release of their latest album Omega in the midst of a raging pandemic. After walking several steps off their usual path with their EP The Alchemy Project which saw them collaborating with artists such as Myrkur, Fleshgod Apocalypse or Uriah Heep, the band played a massive world tour and got invited by a certain band called Metallica for several dates, and played 4 sold out “Symphonic Synergy” shows with a massive orchestra and choir.

After diving deep into hypothetical theories, metaphysical mysticism and themes that were touching the fabric of our existence in the infinity of the universe, EPICA ’s 9th studio effort Aspiral centres on the work of sculptor Stanisław Szukalski. During the first Covid lockdown, bassist Rob van der Loo saw the documentary ‘Struggle – The Life And Lost Art Of Stanislav Szukalski’ and felt so inspired by his work that he wanted to write soundtracks for some of his sculptures, simply because each and every detail in his works are artworks on their own and their stories go very deep. And this is where the path started. Aspiral was born as an instrumental soundtrack to this world, an initially separate project that over time metamorphosed into the new EPICA record.

The title comes from a bronze statue Szukalski did in 1965. If you take a close look, you can see snails rebuilding elements out of the mud in cycles and this eventually leads to civilization and a woman reaching out to the sun. It stands for renewal and inspiration – keywords that define EPICA now.

For more than 20 years now, EPICA have been standing tall. And while already their last efforts clearly showcased their commitment to the game, it is Aspiral that truly distils the very heart of their trademark sound.

Follow Epica:

Axel Rudi Pell Announces New Album "Ghost Town" Out 3/20 + Shares Lyric Video for Title Track

December 11, 2025

You need neither encyclopedia nor satnav to enjoy the music of Bochum-based guitarist, composer, and band mastermind Axel Rudi Pell.

Because what applies to most successful musicians also goes for Pell: His songs are marked by his typical, unmistakable signature — a hybrid of powerful guitar riffs and catchy melodies, presented by a brilliant band consisting of American vocalist Johnny Gioeli, former Rainbow drummer Bobby Rondinelli, bassist Volker Krawczak, and keyboardist Ferdy Doernberg.

And although Pell has been wowing his fans with this impressive mix for well over 35 (!!!) years, his albums have always included a number of surprises and/or remarkable collaborations. His current studio offering, Ghost Town, is no exception. Axel Rudi Pell has added another 11 masterpieces to his long list of outstanding songs.

Among the songs one stands out: "Breaking Seals," featuring a sensational duet starring frontman Gioeli together with German metal legend Udo Dirkschneider. This collaboration is an absolute first in Pell's career and is additional proof of the great respect the guitarist enjoys among his fellow musicians.

Axel Rudi Pell produced the Ghost Town himself, with Tommy Geiger (Blind Guardian, Helloween), who was also in charge of the mix, providing valuable engineering support during the recording sessions at the Blind Guardian Studios in Grefrath.

The album's debut single "Ghost Town" is the perfect first representative of the new album: A haunting uptempo number, very catchy, very focused that brings to mind the style of early Rainbow classics.

Watch the lyric video below;

Ghost Town will be released on March 20, 2026 through Steamhammer worldwide in the following configurations:

*CD DigiPak incl. poster

*CD Jewel case

*2LP Gatefold, 140 g, black vinyl, padded inner sleeves, colored insert

*Exclusive CD/2LP Bundles with a shirt and exclusive vinyl only at the Steamhammer shop

*2LP Gatefold exclusive coloured edition only at the Napalm shop
*2LP Gatefold exclusive coloured edition only at the EMP shop

*Download + Streaming

Billy Morrison & Ozzy Osbourne Collector’s Edition Picture Disc Vinyl Available

December 11, 2025

TLG|ZOID proudly presents Billy Morrison and Ozzy Osbourne Collector’s Edition Picture Disc Vinyl, arriving January 9th distributed by Virgin Music Group. The limited-edition 180g picture disc—available now for pre-order, online and at local record stores—is designed as a true collector’s piece, worthy of framing and displaying like fine art.

It’s the perfect Christmas gift for fans of Ozzy and Billy alike, offering a rare and visually striking keepsake that celebrates their powerful collaboration.

This stunning release brings together both smash hits, “Gods of Rock N Roll” (featuring Steve Stevens and a beautiful score by Fred Coury) and “Crack Cocaine" (featuring Steve Stevens), united on one brilliantly crafted, art-forward vinyl. The picture disc format elevates the release into a gallery-worthy keepsake—an item meant not only to be played, but cherished, displayed, and celebrated.

Billy Morrison shares: “I feel so incredibly fortunate to have been able to work with my best friend on those last two songs, CRACK COCAINE and GODS OF ROCK N ROLL, that when the idea of a picture disc vinyl with all the versions on it came up, thanks to my guys at TLG |ZOID, I jumped at the idea. We already had the wonderful cover shots that our photographer, Jane Stuart, had taken throughout the process of both releases, and I remember as a kid just loving the idea of a vinyl record with images on the actual vinyl! It was a no brainer, and a truly wonderful way to close out that chapter with a tip of the hat to Ozzy and the two amazing songs that we did together. I will always be able to watch that video of GODS, when Steve Stevens and I are belly laughing with Ozzy in the studio and hold that close as a treasured memory.”

Billy Morrison, the British guitarist, singer, and songwriter is primarily known as Billy Idol’s rhythm guitar player for the past 15 years alongside lead guitarist Steve Stevens. His recent collaboration with Ozzy Osbourne and Steve Stevens, “Crack Cocaine,” soared to #1 on the Mediabase Active Rock Chart, further solidifying his place as a powerhouse in the rock world. The Morrison Project is a testament to his collaborative spirit and fearless commitment to creating boundary-breaking music that unites artists and genres in bold, unexpected ways.

For More Information Please Visit:

Official Website

Facebook

Instagram

https://www.tlgent.com/

Beauty in Chaos shares 'Get Down Moses', a Joe Strummer tribute from new 2-track single

December 11, 2025

The always revolving, ever-evolving entity Beauty In Chaos presents 'Get Down Moses' from their latest double A-side single 'God's Gonna Cut You Down / Get Down Moses'. This newest offering is BIC's own rendition of this much-loved Joe Strummer classic, the video for which was filmed and directed by Vicente Cordero (Industrialism Films).

Produced by Grammy-nominated producer Michael Rozon (Ministry, Jarboe, Wayne Hussey, The Melvins), this single was released via Los Angeles-based boutique imprint 33.3 Music Collective. BIC earlier shared the video for their enveloping, smokey rendition of the traditional gospel hymn 'God’s Gonna Cut You Down', popularized by Mr. Johnny Cash.

BIC curator Michael Ciravolo takes on duties as lead vocalist on both tracks in this release, in addition to guitars and percussion. On this track, he is joined by Rozon (bass, drum programming, synths, backing vocals) with backing vocals by Tish Ciravolo and Whitney Tai.

“As with 'God’s Gonna Cut You Down', I felt a spiritual calling to do this particular song. I think Joe’s lyrics are certainly "timely" and just as socially important as anything he ever did with The Clash," says Michael Ciravolo.

“We filmed this the day after we shot “God’s Gonna Cut you Down”, so it was nice to swing the pendulum to something a bit lighter. While this video looks like it was fun to make, it was certainly not meant to lessen the sting of Joe’s lyrical attack on governments, oppression and the Catholic church. My ‘1977’ shirt, which I am sure Clash fans will notice, is my personal tribute to Joe Strummer”.

Beauty In Chaos has come a long way since LA-based guitarist Michael Ciravolo(formerly of Human Drama and Gene Loves Jezebel and current President of Schecter Guitars) launched this project in 2018. Over the years, BIC has involved members of The Cure, Ministry, Cheap Trick, The Offspring, Gene Loves Jezebel, Marilyn Manson, Human Drama, Bauhaus, Nine Inch Nails, Van Halen, A Flock of Seagulls and dUg Pinnick, ICE-T, Rolan Bolan and Zakk Wylde, among other luminaries.

The new single is available everywhere digitally, including Bandcamp and Beauty In Chaos' store, where their latest two albums -- 'Dancing With Angels' and the remix companion ‘Signs In The Heavens Reality Upside Down’ -- can also be found.

CREDITS
Michael Ciravolo – voices, guitars, percussion
Michael Rozon – bass, drum programming, synths, backing vocals
Additional backing vocals – Tish Ciravolo and Whitney Tai
Recorded, mixed & mastered by Michael Rozon at SAINTinLA Studio
Produced by Michael Rozon & Michael Ciravolo
EP cover by Liz Ardman
Thumbnail by GABB
Video filmed and directed by Vicente Cordero (Industrialism Films)
Edited by Ryan Conlon
Lightning by Anthony Love (SL Lighting)
Hair & Makeup by Dania Ridgeway
‘1977’ shirt by Christina Godepski
Video features Michael Ciravolo (vox, guitar), Tish Ciravolo (bass), Jewel Steele (guitar), Michael Rozon (drums), and The Sig Six Horns (Dan Schultz, Sam James, Billy Schultz, Rob Schultz, Alan Miller)
Publicity by Shameless Promotion PR

Young Guns Publishing Signs Jake Puliti

December 10, 2025

Young Guns Publishing signs a world-wide exclusive publishing deal with singer, songwriter and producer Jake Puliti.

“I’m so amped to be a part of Young Guns Publishing. This partnership represents years of dedication, growth, faith, and a true belief in the power of songwriting,” shares Puliti. “I’m so blessed for the opportunity to evolve alongside such an incredible team.”

“Jake has a sense of musicianship that stuns me, and I just know his faith is driving him to really want to grow as a human and songwriter,” Young Guns Publishing’s Head of Creative, Laura Alexander shares. “After a two hour initial meeting with him, I immediately knew his personality and work ethic were going to fit in with our family at Young Guns. We are so excited to have Jake join Young Guns Publishing!”

Puliti co-wrote “Comin’ In Cold,” found on multi-Platinum artist Bailey Zimmerman’s latest album Different Night Same Rodeo, with both the album title and Zimmerman’s 2026 tour earning their namesake from its lyrics.

With a growing presence in both country and pop and a rising presence in the songwriting community, Puliti has worked as a producer to various artists and songwriters, while simultaneously continuing to build a strong digital footprint including songwriting credits and performances generating millions of views across TikTok and other social platforms. Puliti also shares his experiences on Season 17 of “American Idol” in 2019 and playing bass in Graham Barham’s band, informing and aiding in the evolution of his unique path.

Young Guns Publishing, an independent music publishing powerhouse based in Nashville, is home to staff songwriters including GRAMMY Country Song of the Year winner Ben Stennis, SESAC Songwriter of the Year winner Josh Jenkins and SESAC Songwriter of the Year winner Michael Tyler. Recent credits for YGP staff songwriters include Michael Tyler’s co-write on Corey Kent’s “Rocky Mountain Low (feat. Koe Wetzel),” Ben Stennis and Tyler’s co-write on Bailey Zimmerman’s “Holy Smokes” and five co-writes for Josh Jenkins found on Jordan Davis’ Learn The Hard Way album. The Young Guns team continues to play a predominant role in the songwriting community, spanning more than 14 years.

For more information, visit YoungGunsPublishing.com or follow on Instagram @YoungGunsPub.

L-R ID: Matthew Jafari (Keller Turner Andrews & Ghanem PLLC), Laura Alexander (SVP Creative, Young Guns Publishing), Jake Puliti, Will Hamrick (CEO, Young Guns Publishing), Laurie Gore (Creative/Admin Assistant) and Jason Turner (Keller Turner Andrews & Ghanem PLLC) | Photo Credit: Mary Craven Dawkins

Singer/Songwriter Adam Mac Sells Out Return to His Hometown

December 10, 2025

Fresh off being named Billboard’s Country Rookie of the Month in Nov. and the release of his acclaimed third studio album Southern Spectacle in Oct., rising country singer/songwriter Adam Mac delivered true Southern spectacle last night with a sold-out hometown performance at The Loft in Russellville, KY to celebrate his new album’s release.

The show marked a full-circle moment for the Kentucky native as the appearance was his first performance in his conservative hometown since being scheduled to headline the Logan County Tobacco and Heritage Festival in 2023 when he withdrew from the festival following backlash from local pastors which sparked national headlines and inspired his latest album. A portion of proceeds from last night’s ticket sales went to the local Isaiah 117 House, a safe and home-like place for children entering the foster care system.

His strength in the face of hate drew support from fans, hometown friends and celebrities alike – including Maren Morris, Kelsea Ballerini and Brandy Clark. And he was greeted by that same love and support last night with a packed room of family, friends, longtime supporters and new fans. The man dubbed “country music’s very own Elton John” by PEOPLE, turned The Loft into a joyful, glitter and sequin-soaked homecoming celebrating the very roots that shaped his story.

Holler previously noted that “it’s no wonder his fans have started calling him ‘cowBoy George,’” and Tuesday night, Mac lived up to the reputation pairing spectacular showmanship with the heartfelt vulnerability that defines Southern Spectacle. The set featured album standouts including “Old Photograph,” which he performed during his national TV debut on The Kelly Clarkson Show in Oct., as well as fan favorites “All Dollars, No Sense,” title track “Southern Spectacle,” “Dust Off Your Boots,” and his breakout hit “Disco Cowboy.”

Declared “fearless” by Pride.com, Mac continues to carve out his own lane in country music, fusing rich Southern storytelling with modern pop energy and unapologetic self-expression. Southern Spectacle, produced by Jason Mater with additional production by Sean Trainor, Warren Riker and HALLIE, has been praised for its boldness and honesty, with Billboard calling “All Dollars, No Sense” a “must-hear” and Pride.com celebrating the track as “the definition of queer joy,” while Entertainment Focus called the album “a fearless fusion of country, pop and pride” and Rainbow Rodeo declared “if there’s one queer record that needs to make every year-end list, it’s this one.” Listen to Southern Spectacle Below.

“Coming back to my hometown to share the album inspired by what happened here in 2023 was so healing,” said Mac. “That moment showed me both the work still to be done as queer artists and the power of continuing to show up as your most authentic self. To stand on a stage in my hometown last night, with a sold-out crowd cheering on all this Southern Spectacle, is a testament to how far we’ve come and where we’re going.”

Raised in Russellville as a church-and-farm kid who adored The Spice Girls and Shania Twain, Mac long felt like an outsider in his conservative community. His path toward embracing his identity and his distinctive artistry became the core of Southern Spectacle, a project he describes as “bold, vulnerable and the most authentic I’ve ever been on a record.” The album builds on the world introduced with his breakthrough Disco Cowboy era, blending vocal soul, dancefloor-ready country-pop, and vibrant self-acceptance.

Last night’s sold-out hometown show not only celebrated his return but also underscored Mac’s growing influence as a visible queer voice in modern country. With his magnetic presence, signature flair and message of joy, he continues to prove that there is room for every kind of story within the genre.

For the latest news and updates follow along on Instagram, TikTok and Facebook @adammacmusic and online at adammacmusic.com.

The Mendenhall Experiment Release New EP 'Chasing Ghosts'

December 10, 2025

From Southern California skies, The Mendenhall Experiment unleashes their new Chasing Ghosts EP — seven visceral tracks forged in fire, grit, and heart. Founded by Brandon Mendenhall, a guitarist born with cerebral palsy who refused every “you can’t,” this band transforms limitation into raw power. Joined by Nathan Stockton (legally blind & deaf) and a full-tilt lineup, they harness metal’s roar to shatter stereotypes and raise disability awareness. This EP is music for the bold, for the outsiders, for anyone daring to seize the day. The EP released today via Lucent Records distributed by Tuff Gong International.

Produced by acclaimed producer Chris Collier (Korn, Prong, Metal Church) and executive produced by Brandon Mendenhall and The Mendenhall Experiment, Chasing Ghosts delivers the band’s signature blend of crushing riffs, soaring melodies, and authentic emotion.

“'Chasing Ghosts' is a collection of singles from our first two Ep’s 2017’s 'The Mendenhall Experiment' (self titled) and 2022’s 'Against All Odds'. We wanted to put all these songs together on a proper release, so that the fans can find these jams in one place and take them home. Some are deep cuts, some are brand new never before heard, some are fan favorites. In short, 'Chasing Ghosts' takes you on the journey that is The Mendenhall Experiment, Past, Present, and even a glimpse into the Future,” shares Brandon Mendenhall.

The band received another Danny Award from Daniel’s Music Foundation for the 6th Annual Danny Awards in NYC on October 25th 2025.

Chasing Ghosts is avialable now on all major streaming platforms.

Formed in 2008 and based in Southern California, The Mendenhall Experiment (TMX)was born as Brandon Mendenhall’s own personal aspiration to be in a world-famous band while working within the limitations of Cerebral Palsy, knowing full well that the cards were stacked against finding musicians willing to work with him. Born with Cerebral Palsy, an incurable neurological disorder affecting movement, coordination and, balance; Brandon faces numerous challenges. With limited movement on his left side and zero mobility in his left hand, the odds were stacked against him from birth. However, inspired by acts such as Korn and Pantera, Brandon taught himself how to play guitar at the age of 19, rehabilitating his left hand without surgical intervention.

The Mendenhall Experiment has been regularly performing on the infamous Sunset Strip in addition to gigs throughout the region opening for the likes of such metal mainstays as John 5, POD, Alien Ant Farm, Kill Devil Hill, Fear Factory, Prong, Flaw, Metal Allegiance, Smile Empty Soul, Cold, and more. In 2022 TMX received an award from Daniel’s Music Foundation in recognition of their continuing efforts to raise disability awareness in the music industry and performed to a sold-out audience at the award ceremony which took place at the Symphony Space Performing Arts Center on Broadway in New York City. In 2023 TMX signed with Satellite Touring and embarked on five national tours alongside artists such as Influence, Scream At The Sky and Andrew W. Boss.

The Mendenhall Experiment is currently sponsored by Monster Energy, Ibanez Guitars, EMG Pickups, EVH Amplifiers, Evertune Bridges, and InTune Guitar Picks.

The Mendenhall Experiment is:
Brandon Mendenhall - Rhythm Guitarist
Mario Valadez - Vocalist
Nathan Stockton - Bassist
Cameron B. Casey - Percussionist

For More Information Please Visit:

SEBASTIAN BACH Announces Spring 2026 North American Tour, Stitched Up Heart to Support

December 10, 2025

On the heels of a wildly successful Australian tour with sold-out shows in Sydney, Melbourne, Perth, and Adelaide, SEBASTIAN BACH announces his 2026 North American headlining tour, The Party Never Ends, kicking off February 26 in Highland, California at Yaamava’ Casino.

The tour will bring Bach’s unmistakable voice as he delivers the iconic hits from his days in SKID ROW, alongside fan favorites from his expansive solo catalog, including material from his latest album, Child Within the Man, hailed by Metal Hammer as “an unapologetic celebration of what Sebastian Bach does best,” with Associated Press saying “…it shows a fierce performer in prime fighting form…his vocals remain sharp and his songwriting talents as cunning as ever,” In addition, “(Hold On) To the Dream” track was included in Consequence's 30 Best Metal & Hard Rock Songs of 2024 which described the song as "...a career masterpiece from the former Skid Row singer. Baz hits some of the highest notes of his career on the sweeping ballad, an inspiring anthem about perseverance."

Joining the tour as direct support are modern rock standouts STITCHED UP HEART. handpicked by Sebastian Bach for his 2020 tour celebrating the debut SKID ROW album. That tour was ultimately cancelled due to COVID, making this long-awaited pairing finally come full circle.

Artist Presale tickets go on sale today, December 10. Fans get early access with the code BACH26 starting at 11 AM EST.
Local Presales begin December 11 at 10 AM local time, followed by the General Onsale on December 12 at 10 AM local time.

VIP Meet & Greet Packages will be available. For full details and ticket links, visit www.sebastianbach.com.

Additionally, Sebastian Bach has also dropped a new “Car Wash Hot Wax” edit of the single “What Do I Got to Lose?”, delivering a hotter, extended bikini car wash performance by none other than his wife, Suzanne. “What Do I Got to Lose?” made an immediate splash at radio, debuting as the #1 Most Added track upon release, bridging Sebastian Bach’s iconic legacy with his modern solo relevance.

Watch Below:

SEBASTIAN BACH NORTH AMERICAN HEADLINING DATES

Feb 26 – Highland, CA – Yaamava Casino*
Feb 27 – Fresno, CA – Tower Theatre
Feb 28 – Oroville, CA – Feather Falls Casino*
Mar 02 – Portland, OR – Aladdin Theatre
Mar 04 – Victoria, BC – Capital Ballroom
Mar 06 – Boise, ID – Treefort Music Hall
Mar 07 – Salt Lake City, UT – The Depot
Mar 09 – Billings, MT – The Pub Station Ballroom
Mar 10 – Minot, ND – The Original
Mar 13 – Des Plaines, IL – Des Plaines Theatre
Mar 14 – Florence, IN – Belterra Resort Casino*
Mar 15 – Wyandotte, MI – District 142
Mar 18 – Marion, IL – Marion Culture Civic Center
Mar 20 – Millvale, PA – Mr. Smalls
Mar 21 – Jim Thorpe, PA – Penn's Peak*
Mar 22 – Hampton Beach, NH – Wally's
Mar 24 – Albany, NY – Empire Live
Mar 25 – Harrisburg, PA – Capitol City Music Hall
Mar 27 – Leesburg, VA – Tally Ho Theater
Mar 28 – Greenville, SC – Radio Room
Mar 29 – Charleston, SC – Music Farm
Mar 31 – Jacksonville, FL – Five
Apr 02 – Sebastian, FL – Capt Hirams Hall
Apr 03 – St. Petersburg, FL – Ferg's Entertainment Center*
Apr 04 – Destin, FL – Club LA
Apr 06 – Nashville, TN – Cannery Hall
Apr 10 – West Wendover, NV – Peppermill Casino*

*no STITCHED UP HEART

ADDITIONAL ONE-OFF DATES
2025
Dec 12 – West Siloam Springs, OK – Cherokee Hotel & Casino*
Dec 13 – Roland, OK – Cherokee Casino and Hotel
Dec 27 – Airway Heights, WA – Pend Oreille Pavilion at Northern Quest Resort & Casino

2026
Jan 7 – Snoqualmie, WA – Snoqualmie Casino
Jan 17 – Lincoln City, OR – Chinook Winds Casino Resort
Jan 24 – Atlantic City, NJ – Hard Rock Live at Etess Arena w/ Tesla
Feb 21 – Newton, NC – Newton Performing Arts Center
Feb 26 – Highland, CA – Yaamava’ Theater*
Mar 14 – Florence, IN – Belterra Casino Resort
Mar 21 – Jim Thorpe, PA – Penn’s Peak
May 31- Lake Charles, LA - L’Auberge Casino
Aug 21 – Gatlinburg, TN – The Mountain Festival 2026
Oct 3 – Saint Charles, MO – The Family Arena w/ Great White and Quiet Riot

STABBING Unleashes Official Video for Pummeling New Single, "Eon Of Obscenity"

December 10, 2025

Brutal death metal rising stars STABBING are now unleashing the pummeling title track from their upcoming sophomore album, 'Eon Of Obscenity.' The furious aural attack can now be found along with a music video below.

STABBING comments, "The lyrics in 'Eon' are mainly about the idea that someone with homicidal tendencies could hide it for years, and then one day just snap, and nobody in their life would ever see it coming. Like they decide to embrace their sickness and completely lose all morality.”

STABBING does not merely define the term “Brutal Death Metal," they exceed it. The Houston Texas newcomers have plundered the crypts of claustrophobia and darkness, only to surface with 'Eon of Obscenity,' STABBING’s Century Media debut and a benchmark for modern death metal.

'Eon of Obscenity' is due on January 30, 2026 via Century Media Records and can now be pre-ordered HERE.

STABBING does not merely define the term, “Brutal Death Metal” - they exceed it. The Houston Texas foursome has plundered the crypts of claustrophobia and darkness, only to surface with Eon of Obscenity, STABBING’s Century Media debut and a benchmark for modern death metal. “It’s just more extreme,” says vocalist Bridget Lynch, when asked to define the band’s infernal sub-genre, Brutal Death Metal (AKA B.D.M.). “It’s everything that’s extreme about death metal, just taken a little bit further. The vocals. The drums. The riffs. It’s just faster and more boundary-pushing.”

When STABBING came together in 2021, the goals were simple. “We were really just having fun and wanted to emulate the style of the bands we really liked,” says Lynch. “Old school 90’s and early 2000’s brutal death metal bands like. Disgorge, Deeds of Flesh, stuff like that.” Coming from local bands and projects including guitarist Marvin Ruiz’s Nephilim Grinder and Dysmetria with Lynch dabbling in area grindcore outfits, from their first demo and 2021’s Ravenous Psychotic Onslaught EP, it was clear that STABBING was immediately pushing boundaries. On the road they distinguished themselves, giving tour mates including Defeated Sanity more than a run for their money. Not only was STABBING a bloody, clear-cut step above most, they wrapped it all in songs and blistering live performances that were as memorable as they were bellicose and brutal.

STABBING’s reckoning moment came in November 2023, as first band on for the “Ancient Unholy Rising Tour” with co-headliners Incantation and band favorites, Suffocation. Not only had STABBING’s lineup begun to solidify with then newly joined bassist Matt Day, but when Suffocation vocalist Ricky Meyers had fallen ill and had to miss a string of shows, it was Lynch who stepped in to save the day. STABBING’s vocalist simply took the stage with the New York death metal legends and gave the absent Meyers a run for his guttural money. “That was one of the coolest things I’ve ever gotten to do,” states Bridget. “Suffocation was one of the first death metal bands I ever got into as a fan, so jumping onstage and blasting through maybe six songs was a crazy moment. I was terrified when they asked!”

It was also on that tour that the band also caught the ear of Century Media Records who inked the band several months later. With a string of shows in 2023 and 2024 including landmark appearances at the celebrated Maryland Deathfest and Milwaukee Metalfest, as well as a U.S. tour with 200 Stab Wounds, Ruiz (who also plays with Texas Brutal Death Metal, OG’s Devourment) started putting together riffs that would serve as the foundation of Eon of Obscenity. Compared to Stabbing’s more primal origins, Eon of Obscenity. is a clearcut next step that elevates not only the band, but the genre itself. From the outset of opener, “Rotting Eternal” straight into “Inhuman Torture Chamber”, which showcases Lynch’s inhuman vocal prowess and ability to shift gears from the guttural to something chittering that barely registers as human, STABBING have taken their brutal arts to new heights. Even the album’s instrumental inclusion, “Ruminations” shows an unexpected technicality as riffs and time-signatures coalesce in unexpected ways.

Recorded at Houston’s Southwing Audio by engineer Ben Gott with Chris Kritikos mixing and mastering, the production of Eon of Obscenity is as strident as the music itself. It’s eleven tracks that are as raw as they are extreme. “It feels more refined,” says the vocalist. “The album shows the potential of what the band started as. It’s not overly produced. There’s not a lot of effects or over-editing. We wanted to keep the raw sound that the classic bands had. We wanted to go for that, for something very honest and very us.” The album title itself also ties into Eon of Obscenity being not merely a second album from STABBING but a massive step forward.

“It’s representative of this being a new era for the band,” Lynch states. “An improvement of the STABBING sound and us as musicians. On the last album [2022’s Extirpated Mortal Process], I wasn’t really happy with what I did vocally," she admits, "And I really wanted to really improve. One of my favorite songs on the album is called ‘Reborn to Kill Once More’, which sums up how good and how strong we feel about the band and the album now.”

Being one of the rare female voices in modern death metal isn’t lost on Bridget. She’s quick to admit that she approaches lyrics and delivery in a way that differs from most. “When I was in high school, first getting into brutal death metal, I discovered the band, Cerebral Bore” she recounts. “When I saw that they had a female singer, I was like, ‘What the hell?’ I was like, I have to be that! I had to emulate her. I was so inspired. My hope is that when people, particularly younger girls hear STABBING for the first time, we have that same effect on them.

“It’s pretty obvious that metal, in general, has been pretty male dominated,” Lynch states. “I won’t really entertain the misogyny of brutal death metal in what we do, for obvious reasons. I try to turn it around. One of our older songs is about the first female serial killer I ever read about, Aileen Wournos. If you look at other female-led death metal bands like Castrator or Emasculator, they also try to turn the tables and present things from a different perspective.”

With Eon of Obscenity, the Texas four-piece have delivered on everything their earlier releases and live shows have hinted at. B.D.M. has an unmistakably brutal new voice and it is STABBING. “I never expected it, there is a new wave of slam bands and brutal death metal bands,” says Bridget. “But I never thought people would think of us as an important band to that or any other scene! We have younger bands come up to us all the time and say, ‘Your first demo really inspired us,’ and that blows my mind. I never thought my brutal death metal band would have that kind of impact.”

Line-Up:

Matt Day - Bass Guitar

Aron Hetsko - Drums

Bridget Lynch - Lead Vocalist

Marvin Ruiz - Guitar

Special Guests:

Guest vocals by Ricky Myers (SUFFOCATION) on "Nauseating Composition"

Cover Artist: Rudi Yanto

Credits:
Recorded at Houston’s Southwing Audio by engineer Ben Gott

Mixed and mastered by Chris Kritikos

Discography:

Extirpated Mortal Process (2022)

Links:

Kreator Announce Spring 2026 Headline Tour

December 10, 2025

NEW ALBUM KRUSHERS OF THE WORLD OUT JANUARY 16

Metal titans KREATOR are thrilled to announce their triumphant return to U.S. soil. The band, who last conquered American audiences and venues in 2024, will embark on a headline tour of the U.S., with stops at key festivals, including Welcome to Rockville, Sonic Temple, and Maryland Deathfest. The tour kicks off on May 7 in Fort Lauderdale, Florida, and runs through May 23 in Huntington, New York.

VIP packages are available here.

The artist pre-sale is set for Thursday, December 11 at 10am local time, with the general on-sale set for Friday, December 12 at 10am local time. Get tickets here.

KREATOR ON TOUR:
5/7—Fort Lauderdale, FL—Revolution Live*
5/8—Daytona Beach, FL—Welcome to Rockville
5/10—Atlanta, GA—The Masquerade
5/11—Knoxville, TN—The Mill & Mine
5/12—Raleigh, NC—The Ritz
5/14—Worcester, MA—Palladium
5/15—McKees Rocks, PA—Roxian Theatre
5/16—Columbus, OH—Sonic Temple*
5/18—Davenport, IA—Capitol Theatre
5/19—Minneapolis, MN—First Avenue
5/20—Chicago, IL—Romova Theatre
5/22—Baltimore, MD—Maryland Deathfest*
5/23—Huntington, NY—Paramount
*FESTIVAL

Kreator will unleash their sixteenth full-length, Krushers Of The World, on January 16 via Nuclear Blast Records.

Pre-order and pre-save Krushers of the World HERE.

Watch the video for new single "Satanic Anarchy" HERE.

Unverkalt Announce New Album Héréditaire (featuring Sakis Tolis)

December 10, 2025

While they’ve always pushed the intricate balance that defines post-metal, Unverkalt are now plummeting over the edge into the black below. Their upcoming third album and first since signing with Season of Mist descends into humanity’s deepest and darkest origins. Héréditaire lifts the veil from our cursed existence. What emerges is the band’s heaviest and most heartfelt offering.

“Our aim has always been to blend softer, more romantic elements with extreme chaos. With Héréditaire, that time has come”, says Unverkalt’s guitarist and chief composer Themis Ioannou. “This album is a lament for what is far older than our very existence. It speaks of what seeps through generations, searching for an answer to one pervasive question: What do we carry that was never ours?”

As they begin this dark descent, today, Unverkalt are releasing a haunting video for the stirring lead single from Héréditaire. Though it starts as a slow burn, album opener “Die Auslöschung” emerges from the envoloping haze as the band’s first song to pair Dimitra Kalavrezou’s heavenly cleans with hellish harsh vocals.

“‘Die Auslöschung’ is both bleak and immersive”, Kalavrezou says. “Carved in blackened textures and hypnotic pacing, the song channels both personal and collective collapse, setting the tone for what is to come”.

Watch the video for “Die Auslöschung” Below:

Héréditaire comes out February 27, 2026 on Season of Mist.

Pre-order

https://orcd.co/unverkalthereditaire

Pre-save on Spotify

https://open.spotify.com/prerelease/5ndUNl3HyjsagbOuQCrakn?si=QESfESdPQwqHTC5MKNX4Jw

Unverkalt are still possessed by a cinematic vision. “Die Auslöschung” opens Héréditaire like a camera coming into focus. However, though rendered in crisp detail, the scene that the band paints is bleak. Beneath a smoldering bass line, riffs rise like smoke from freshly scattered ashes. “When did this darkness fall?” Kalavrezou sings as if trying to climb out of the shadowed rubble.

On previous albums, Unverkalt took cues from French painting and European film noir, but Héréditaire throws back the velvet curtain in favor a veil. “Die Auslöschung” begins to peel back the blackened layers of traumatic memories that are passed down to us like a disease. “He said enter the wide gate and walk the easy path to destruction”. As the pounding drums give way to a fiery stream of blast beats, Kalavrezou breaks into a scream so piercing it can be felt all across our shared history.

“I enjoy discovering new, unique and compelling music in today’s overwhelming world of information, and I believe I truly succeeded with Unverkalt”, says Season of Mist labelmate and Rotting Christ frontman Sakis Tolis, who’s featured on the monolithic “I, The Deceit” from Héréditaire. “This is an exceptional piece of art, worth every minute of listening”.

Catch Unverkalt in Suttgart, Germany early next year when they co-headline Club Zentral with Hippotraktor.

Get tickets: https://loveyourartist.com/en/events/progmotion-hippotraktor-stuttgart-HCAIBG

The video for “Die Auslöschung” was directed by Themis Ioannou at RAWBITE Studio

On Héréditaire, Unverkalt lift the veil on our cursed existence with their heaviest and most heartfelt offering.

Recording lineup
Dimitra Kalavrezou - Vocals
Themis Ioannou - Guitars, Keys
Eli Mavrychev - Guitars, Vocals
Joscha Hoyer - Bass
Christian Eggers - Drums

Guest musicians
Sakis Tolis - Vocals on "I, The Deceit"

Songwriting credits
Composed by Themis Ioannou
Lyrics by Dimitra Kalavrezou and Eli Mavrychev
Lyrics for "I, The Deceit" by Dimitra Kalavrezou and Joscha Hoyer

Recording credits
Recorded and engineered by Unverkalt
Drums recorded and engineered by Christian Eggers at Noir Surge Sound

Production credits
Produced by Themis Ioannou
Vocals produced by Dimitra Kalavrezou & Eli Mavrychev
Mixed by Joshua Barber
Mastered by Lasse Lammert at LSD Studios

Cover art
Themis Ioannou

Pre-order & Pre-save
https://orcd.co/unverkalthereditaire